![]() | Relative Pitch Opera The classical music division of Little Pixie Productions...
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We are delighted to announce that from January 2010 Helena Leonard will be joining us as our Classical Programme Director for Relative Pitch Opera.
Opera can be seen as quite an elitist art form and many people never get to experience it. We believe that everyone of all ages should have access to opera and classical music. We are dedicated to breaking down the barriers that surround these genres by bringing these classical experiences to you by making them more accessible but without losing the quality that you would expect from these art forms.
All of our classical performers are established musicians in their own right and have performed with many of the major opera companies including English National Opera, Welsh National Opera and Scottish Opera.
Workshops based around opera, classical music and vocal technique are also available, tailored to a range of age groups from school age to adults.
We have several different shows in our repertoire including Operatastic! The Accessible Guide to Opera and Sing We Noel for the Christmas season. For further details about them press the link -
Or you can download a copy of our brochure by pressing the links below
For Relative Pitch Opera show prices and booking information please contact Helena by pressing the link where it will navigate you to Relative Pitch Opera's Contact Form -
Further details regarding our workshops can be found - |
Photo by Drew Baumohl | Helena Leonard Successes such as Tosca for Opera Project and Scottish Opera, the title role in Aida for Opera Box and Welsh National Opera (understudy) and her acclaimed Lady Macbeth in Verdi’s Macbeth for Scottish Opera Go Round have confirmed Helena Leonard as one of the most exciting talents currently emerging from the UK. Helena has recently performed Beethoven’s Mass in C and Gounod’s St Cecilia Mass for Spelthorne Choral Society. Future work includes the title role in Ariadne auf Naxos (understudy) in the autumn of 2010 and Leonora in Il Trovatore (understudy) spring 2011 for Welsh National Opera
Born in Cheshire, Helena Leonard studied at Trinity College of Music in London; gaining a LTCL she then completed a Postgraduate Vocal Diploma at the Guildhall School of Music and Drama before going on to advanced studies at the National Opera Studio. Her professional debut came with ENO, with roles and covers including First Lady in Die Zauberflöte and Second Niece in Peter Grimes, Helena in A Midsummer Night’s Dream. This led to further appearances as Musetta in La Boheme for Scottish Opera and Marcellina in Le Nozze Di Figaro for Grange Park Opera.
These engagements were followed by Donna Anna in Don Giovanni and Giulietta in Les Contes d’ Hoffmann for Opera Box.
Other roles include Pamina in Die Zauberflöte for Bloomsbury Opera; Micaela in Carmen for Commedia productions & The Carmen Project; Amelia in A Masked Ball for Wilmslow Opera and Kentish Opera; Leonora in La Forza del Destino for Kentish Opera & Candid Opera; Leonora in Il Trovatore for Wilmslow Opera and Phoenix Opera; Rosalinda in Die Fledermaus for Somerset Opera; Helmwige in Die Walkure for Mastersingers and Hanna Glawari in Die Lustige Witwe for Phoenix Opera. Helena enjoyed particular success as Leonora in a gala performance of Beethoven’s Fidelio with the Edinburgh Symphony Orchestra.
No stranger to the concert platform, her appearances have included I Am Richard Strauss and Sempre Verdi at the Purcell Room with The Company of Singers, Richard Strauss’ Four Last Songs with the Boston Sinfonia, and 13 Moravian Duets by Dvorak in Czech for the Petworth Festival and Songs of the Auvergne - Series 1 with the Somerset County Orchestra. Oratorio performances have taken Helena throughout the British Isles including venues such as the City of London Festival (Broadgate Arena), Salters Hall Barbican, Blackheath Concert Halls, St James’s Guernsey and The Purcell Room. Recent work includes Verdi’s Requiem and Beethoven’s Choral Symphony for Lancaster Choral Society.
Helena’s television work has included the Countess in La nozze di Figaro in Nicholas Nickleby for Carlton Television. |
Selected Press Reviews:
‘Helena Leonard (Leonora) fielded tone as steady as a rock and instinctive breath of phrase, and she has all the notes easily at her command, which is saying one hell of a lot’
Rodney Milnes, Opera Magazine on The Force of Destiny, for Kentish Opera.
‘[In this programme of excerpts of Verdi Opera] Helena Leonard was a spitfire Abigaille…and went on to use her big dramatic voice to powerful effect[in Leonora’s moving pleas to Padre Guardiano]’
Margaret Davies, Opera Magazine on the Company of Singers and Players concert - Sempre Verdi at the Purcell Room.
Do you require a Professional Soprano for your event? Helena is available for Opera, Oratorio and Concert work, Weddings, Barmitzvahs and even Birthday Parties. Contact Helena via - |